Enter the Dragon - Bruce Lee's legacy Still Inspiring 50 Years After His Passing! (21.7.2023)7/21/2023 HONG KONG, July 20 (Xinhua) -- The man, the myth, the legend. Bruce Lee was all of these things and more. On July 20, 1973, the world lost one of its most iconic and influential figures when he passed away suddenly at the age of 32. Yet, 50 years later, his legacy lives on, larger than life and more resonant than ever. Tourists flock to the Avenue of Stars along the Victoria Harbour waterfront in Tsim Sha Tsui, Hong Kong, a place of pilgrimage for Bruce Lee fans from around the world. They pause at Lee's bronze statue to pay tribute to the martial arts master, often laying flowers at the base of the two-meter-high effigy that showcases Lee's classic Jeet Kune Do move, inspired by his final complete film, "Enter the Dragon." Source: Xinhua Editor: huaxia 2023-20-07 Shin Yong-woo from South Korea is one such fan who has travelled over 1,000 miles (1,600 km) to pay homage to his hero. He stood before the statue, dressed in black pants with his bare chest exposed, just like Lee frozen in frame by the monument. With a pair of nunchaku in his hands, Shin began his performance, twirling the weapons with fluid precision. A fan since he was nine years old, Shin credited Lee with inspiring him to learn Chinese martial arts. Some pay their respects with a simple bow or a moment of silence, while others perform their own martial arts routines in front of the statue, channelling their inner Bruce Lee. Unlike Shin, who reveres Lee's Kung Fu as a physical art form, Patrick Weber from Britain is more drawn to the deeper meaning and philosophy behind Lee's teachings. Weber held a 25-year-old "Enter the Dragon" poster as he took photos in front of the bronze statue. He also brought a thick album that documents his more than 50-year journey as a fan. Lee's legacy includes a collection of inspiring and insightful quotes that have resonated with people of all ages and backgrounds. "The key to immortality is first living a life worth remembering." "The successful warrior is the average man, with laser-like focus." "Do not pray for an easy life, pray for the strength to endure a difficult one." "I love his philosophy on life," Weber said. "And the multiculturalism he portrayed was exactly what the world needed at the time." Born in San Francisco in 1940, Lee spent much of his childhood and formative years in Hong Kong, where his father was a well-known Cantonese opera singer. It was in Hong Kong that Lee began to study martial arts. His passion for Kung Fu and his innovative approach to martial arts quickly earned him a following in Hong Kong, where he starred in several successful films and TV shows. His fame and influence soon spread to other parts of China and Asia, inspiring a new generation of martial artists and popularizing Chinese culture and philosophy around the world. As one of Hollywood's most influential Chinese American actors, Lee introduced Chinese martial arts and its underlying culture and philosophy to the world through his films, and even brought the term "Kung Fu" into the English language. His confident portrayal of Chinese culture in martial arts movies continues to inspire people decades later. "He's so cool!" said Sophie Uekawa from Japan as she looked at the statue, reminiscing about her teenage years several decades ago. "In 1973, Bruce Lee's movies became a sensation in Japan when they were first released. The queues for his films were so long that they stretched for several blocks, and 'Enter the Dragon' played for more than a year in one cinema before it was taken." In recent days, a series of commemorative events in Hong Kong have confirmed the enduring influence of the Chinese Kung Fu culture that Lee represented. The "Bruce Lee: A Timeless Classic" exhibition opened at the Hong Kong Heritage Museum, showcasing various books, stamps, and figurines related to the superstar from different eras. The museum also has a permanent exhibition introducing his life story. Inside the exhibition hall, a wall of famous quotes presents Lee's philosophy: "Using no way as a way, having no limitation as limitation," "Success is a journey, not a destination," and more. Wang Wei, who works in the education industry, included the exhibition as one of the stops for Chinese mainland students on their educational tour of Hong Kong. "Bruce Lee is an important part of Hong Kong's pop culture and represents the Chinese spirit and character embodied by the people of Hong Kong," Wang said. "With a profound understanding of Chinese culture, he showcased the confidence of Chinese culture through Kung Fu." The Bruce Lee Foundation is holding its first "Camp Bruce Lee" event in Asia at the Hong Kong Heritage Museum, where about 30 primary school students from Hong Kong are experiencing Jeet Kune Do and learning about the star through various art forms over a few days. "This movie is about the history of Japanese imperialism invading China in the last century ..." Inside the museum, the guide points to a still from the movie "Fist of Fury" and introduces the plot to the young campers while explaining the national history. The still captures the moment when Lee's character Chen Zhen kicks down the "Sick Man of East Asia" sign in the movie. English Language Xinhua Article: Feature: Enter the Dragon -- Bruce Lee's legacy still inspiring 50 years after his passing
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Our Chinese grandfather - Chan Tin Sang (1924-1993) fought as part of the 'People's Militia' (with his Section also known as the 'Hakka Resistance') in the Hong Kong and New Territories region. When he recalled these events years later – he often described this time period (1941-1945) as ‘The years covered in blood.’ - as there was never a time that he was not covered in his own blood or the blood of his enemies. Hong Kong had been under the imperialist rule of the British from 1841-1941 - when the Imperial Japanese Army successfully overran the area - killing thousands of ethnic Chinese POWs and civilians in the process! Thousands of ethnic Indian and 'White' British soldiers were killed in combat, wounded and taken into captivity (where many were tortured). What follows is description of what the ethnic Chinese people experienced throughout Hong Kong and the New Territories – a reality either deliberately ignored or simply not known by Western historians and biographers. Part of the problem is not simply political bias or historical preference (although these two issues undoubtedly play their part) - but rather that not ALL ethnic Chinese people understood fully what was happening! The ‘White’ British Administration did not trust the ethnic Chinese population – as they were afraid of homegrown uprisings – but positively detested the Imperial Japanese! This is why the British Authorities ‘refused’ to arm the ethnic Chinese population at the beginning of the Japanese troubles! Rumours of a fifth column in Kowloon turned out not to be true (these groups were comprised of Japanese sleeper cells activated to meet and assist the incoming Japanese troops). As the British Authorities did not arm the local ethnic Chinese populations with modern firearms – these people (comprised of the Cantonese, Hakka, Hokkien and Teochew ethnic groups amongst others) had to rely upon their traditional martial arts skills to fight the Japanese invaders. This was NOT a problem as the ethnic Chinese attitudes were still very ‘feudalistic’ at the time and the martial arts incredibly effective on the battlefield and in self-defence encounters! How did (modern) British arms enter the area? This seems to have been through a behind-the-scenes agreement between the CPC and the British government. The People's Militia was organised by the Communist Party of China (CPC) - as the Nationalist government had no interest in Hong Kong being part of a united China again (for the British this must have been a tricky business as the CPC was not formally in power in China - nor was it ‘recognised’ by any ruling government outside the USSR). It is remarkable that given CPC troubles being experienced in Central and Northern China at the time (fighting the Nationalists and the Japanese) that it was able to 'project' its power into what was then a very distant and remote area – but the understanding that had been reached between the CPC and the British allowed a small trickle of UK arms into the region to be used by the local Chinese people! This 'Resistance' movement against the Imperial Japanese was permitted providing the CPC power structure (together with the British arms) be 'withdrawn' from the region following the eventual defeat of the Imperial Japanese! Our Hakka Chinese family clan in Sai Kung suffered terribly at the hands of the brutal Japanese - with women and girls routinely 'raped', 'tortured' and 'murdered'! Not only do we possess eye-witness accounts of this barbarism - but long before the internet the Japanese liked to 'photograph' (and sometimes 'film') their crimes for all to see! These are crimes that the Japanese committed all over China and Asia - and which the Japanese government has yet to properly acknowledge and apologise for! Chan Tin Sang was 17-years old in 1941 and 21-years old in 1945 - when the war ended. During that time, he lost most of his immediate relatives and was accustomed to fighting ‘hand-to-hand' with the fanatical Japanese soldiers - using his Hakka martial arts skills to survive (his father died fighting in this manner in 1944). Later, in search of a better life - Chan Tin Sang came to England in 1956 when he was 32-years old. He worked hard for 10-years in what became London's 'new' Chinatown and finally saved up enough money to bring his wife and daughters to the UK (as they already possessed 'British Citizenship') in 1966 (when he was 42-years old). He passed away in 1993 when he was 69-years old - which was quite old at the time - but many believe that the years of deprivation (and continuous violence) he experienced between 1941-1945 definitely shortened his lifespan. Sometimes - as individuals and groups - we possess no choice. By the time the Western allies were landing on Normandy 79-years ago – the Japanese Occupiers were still strong and effective throughout Hong Kong and the New Territories! It would be with the entry of the Soviet Red Army (during late 1945) into Manchuria that begin the demise of the Imperial Japanese Army and signal the return of the British to Hong Kong!
The reality is that the head and centre mass inner organs need to be protected through a) movement of the entire body away from the potentially damaging blows, and b) the movement of the head, arms and legs so as to deflect, parry and/or block the incoming blows when the centre of mass cannot be adequately moved out the way. In the case of unarmed blows - the muscle, bone structure and inner connective tissue can be 'toughened' through physical fitness and martial arts training. The potential damage of these unarmed blows can be effectively absorbed by the outer physical and near surface structures of the body - this includes the bone structures and soft structures that comprise the entirety of skull including the mouth, teeth and tongue, etc. These areas can be 'damaged' but will heal given time. When dealing with bladed weapons - as these can penetrate the toughened outer layers and do fatal damage to the inner organs - movement of the centre mass is of a greater concern if no self-defensive weapon is held by the victim. In this case the legs must be well trained for either minute or substantial (instantaneous) distance adjustment. A damaged leg will still have to move by necessity (hence the importance of squat kicks in all their variants). The upper limbs comprising the arms and hands will have to 'deflect' and/or catch or absorb the thrusts of any incoming bladed weapons that cannot be completely avoided by systemic (evasive) movement. This may involve the substantial damage of these body parts which must be conditioned to perform this function whilst carrying-on moving for the duration of the self-defence encounter. These types of injuries can heal (regardless of severity and any potential or long-term damage). An individual will probably survive broken or cut arms and hands - but will not survive damaged or cut inner organs, arteries or veins, etc, as the medical chances are greatly reduced. The outer limbs can be sacrificed to protect the inner organs and blood supply vessels which lie across the centre line. There are cases of individuals surviving horrific injuries following attacks from blades weapons – even with severe mi-section laceration damaging and exposing the intestines, severe and deep cuts to the neck area and even limbs hacked-off – providing medical care can be found in time. Chances of survival are enhanced if the individual concerned has some medical knowledge and First Aid experience – as this can stem blood loss and prolong the chances of survival. Of course, traditional Chinese martial arts often involve extensive mental toughness regimen – and it is this attribute that can drive a severely injured individual to a) ‘survive’ a deadly encounter (despite being badly hurt), and b) seek-out assistance despite being isolated or far away from medical help.
Translator's Note: I have been very fortunate to have understanding, tolerant and wise parents who allowed myself to thoroughly 'mix' with and 'integrate' into the ethnic Chinese side of our family! This has exposed me to the 'old' Chinese cultural set-up in New Territories (Hakka) villages at a time when the modern commerce of the British had not yet penetrated the area from Hong Kong island, and most of the post-1945 changes and transformations of the Chinese Mainland had very little influence until the hand-back of the British Colony to the Chinese People in 1997! I subsequently learned about a 'modern' and 'commercial' China, and this led to me engaging and thoroughly appreciating the culture of 'New' China - the people of which have treated both myself and my family with dignity and respect! All of this experience has culminated into a rich understanding that involves the mind being 'stilled' and the 'awareness' facility 'expanded' to encompass the Ten Directions! It is the wisdom that emanates from the Empty Mind Ground that influences and guides all of my gongfu practice and translation activities! May All Beings Be Happy and Free from Suffering! A clearer scan of the paper copy of this article will be added to the 'Published Articles' section soon - whilst what follows here - are 'screenshots' of the Online 'Journal' version! When the Online Qi Journal is accessed properly - the print can be easily enlarged, made sharper and clearer! These screenshots are merely an 'idea' of the article! ACW (7.6.2022)
As I get older, physical training seems to be spilling over into a continuous psychological or conscious manifestation that is circular and spiralling in manifestation and ethereal in nature! Yes - training must be rooted in the material realm - but once properly rooted, that is, once all the appropriate martial skills have been learned, practiced, perfected and applied, something happens with this experience which is like an echo broadcasting out into the wilderness, except, of course, it is none of these things, even though it shares certain characteristics with these things. It is like thunder and lightning appearing as two different aspects - even though both are intimately related. Sometimes, when sat meditating, I experience all the gongfu forms being practiced simultaneously as if I am sat in a central nexus surrounded by light! When I re-emerge, the material world appears just the same and I get on with life. In fact, when I perform the gongfu movements again, there is often a new freedom dependent entirely upon the meditative experience.
Critically Examining the ‘Fist Frame’ (拳架-Quan Jia) as the Foundation of Taijiquan Practice11/27/2021 Contribution & Translation Shifu Adrian Chan-Wyles Beginners learn Taijiquan by replicating the "fist frame" (拳架-Quan Jia) - or the ‘physical structure’ of the Taijiquan style as taught by their teacher. The teacher uses the ancient method of teaching one step and one sequence at a time, so that each student can learn each step and each sequence before moving on to the next section. The teacher ‘expresses’ each movement one by one, whilst the practitioner imitates these movements ‘one by one’ until they become natural. This process is termed the "leading frame" (领架 - Ling Jia). Although the “fist frame” defines the physical appearance of the Taijiquan style, the essential and underlying reality of these movements contains an extremely rich content. It not only contains its extensive martial application, but this body of knowledge is closely connected to the internal strength-building (内功 - neigong) exercises. Authentic Taijiquan is passed on from one generation to the next through its readily recognisable ‘fist frame’ or stylised form. It is only through the correct preservation of the “fist frame” that all the other ‘hidden’ techniques are preserved and passed-on. To effectively learn a style of Taijiquan, you must first seek out the correct “enduring image” (形象 - Xing Xiang), as taught by a reliable teacher. Logically follow the rules, be meticulous, and replicate each movement one by one and step by step. First learn the correct orientation of the body (that is, the correct alignment of the head, torso, arms, legs, hands and feet, etc), next perfect the hand positions and the techniques through which these positions are used, then perfect the footwork – learning ‘how’ and ‘when’ to step and stand-still, learn all the movement routes – that is how to step, when to stop stepping and how to piece each movement together into a smooth sequence of events, and through doing all this probably, mastery the ‘outer’ style of each style. The ‘outer’ methods are mastered first – then followed by a deepening of understanding and awareness whereby the ‘inner’ methods become apparent and are in-turn mastered. This creates a unified process which sees a relaxed mind, body and environment ‘merge’ into one complete reality of ‘awareness’ and all-embracing ‘presence’. According to whatever the style of Taijiquan being studied, ensure that the ‘chin is placed-forward (and slightly down) so that the vertebrae of the neck are gently but firmly ‘extended’ and the head correctly ‘lifted’ and placed with a ‘rooting’ strength upon the shoulders. The head and neck – in relation to the shoulders – becomes both ‘buoyant’ and yet ‘heavy’ whilst being perfectly aligned between all its constituent factors. This alignment of the vertebrae extends down from the neck into the chest and lower back area (simultaneously confirming the ‘concave’ and convex’ anatomical structures), with each placed exactly where it should be above and below all other contributing structures. The shoulders are ‘rounded’ as they surround the ‘rounded’ chest-cavity and there is no contradiction in the head-to-toe alignment of the bones, muscles, ligaments and tendons. The chested is rounded as it fills and empties with ‘air’ and ‘qi’ (氣). Therefore, the concave and ‘empty’ chest (together with the relaxed and strengthened abdominal muscles) joins the neck and head in being both ‘robust’, incredibly ‘strong’ through ‘alignment’ and yet ‘flexible’ like the wind. The pelvic-girdle is correctly aligned with the vertebrae that emerge from it. The pelvic-girdle form a ‘bowl-like’ structure into which the mass of the digestive organs sits, manoeuvre and function, etc. From the pelvic-girdle the upper body is structured and lower body touches the earth. The pelvic-girdle connects to the ground through the bone, joint and muscle structures of the legs, which always includes the connecting tendons and ligaments all over the human body! The pelvic-girdle must be rounded and concave so that it aligns with the knees, and the ankles, whilst the knees remain ‘rounded so that the bodyweight can ‘drop’ and ‘rise’ through the area unhindered. The descending bodyweight drops into the ground through the centre of the anatomical foot-structure (which varies in exact location depending upon the technique being used). When all this is ‘corrected’, then it becomes obvious that the shoulders and hips, elbows and knees, wrist and ankles and hands a feet become permanently ‘unified’ and ‘aligned’ in their physical activity and non-activity (I.e., ‘standing still’, etc). As ‘awareness’ increases, the shape of the hand and the ‘exact’ placement of one bone to another becomes possible and is a skill repeated all-over the body including throughout the structures of the feet. In other words, the ability to ‘align’ and correctly ‘arrange’ the entire body in general – becomes a highly efficient ‘localised’ skill applied to the smallest area of the body itself. This is how tremendous power can be generated throughout the ‘frame’ and correctly emitted through with a ‘fist’ or the open ‘palm’. Conversely, huge amounts of power can be ‘absorbed’ through an ‘open’ or ‘closed’ hand, distributed throughout the Taijiquan ‘frame’ and harmlessly neutralised into the environment. This is how the ‘mind’ first ‘expands’ its awareness’ throughout a ‘unified’ body-structure (or Taijiquan ‘physical ‘frame’) before ‘expanding’ beyond the physical ‘frame’ and becoming ‘all-embracing’ and ‘all-inclusive’ of ‘all’ and ‘nothing’ in the physical environment! This is the process of how a material ‘form’ (形象 - Xian Xiang) become an immaterial, ‘mind’ or spirit-driven ‘form’ (神象 - Shen Xiang). If ‘physical’ Taijiquan practice does not evolve into a ‘spiritual’ Taijiquan practice, then a life of practice, determination and sacrifice has been entirely wasted! The teacher provides the ‘fist form’ - but you must practice ‘beyond the ‘fist’ and firmly cultivate the ‘mind’. Without this transformation, nothing substantial can be fulfilled. The ‘spiritual essence’ is contained within the ‘form’ and the ‘frame’ - but is dependent upon neither and must emerge from both. However, due to the nature of the complexity of Taijiquan design and practice, it is inevitable that some will encounter problems with their practice. Beginners are often prone to rigidity of mind and body and are unable to properly ‘adapt. The most common errors involve ‘stiffness’ (僵 - Jiang), ‘scattered’ awareness (散 - San), ‘discontinuous’ awareness (断 - Duan), ‘non-alignment’ (歪 - Wai), ‘non-rootedness’ (浮 - Fu) and other problems. A) ‘Stiffness’ (僵 - Jiang) - involves ‘tension’ being hidden throughout the mind and body of the practitioner. It is a product of ‘habit’ that must be undone and countered through the practice of psychological and physical relaxation. Habits of thought that generate psychological tension must be ‘dissolved’. Simultaneously, the tension that abides within the muscle-fibres must also be ‘released’ through deep breathing and the focus of the mind’s attention upon the area. Eventually All mind-body tension (which is merely ‘blocked’ qi energy flow), must be a) ‘released’ and b) ‘reabsorbed’ into the entire mind-body system. B) ‘Scattered’ awareness (散 - San) consists of a mind that is not yet ‘unified’ into a spiritual-whole so that the physical body is also affected by this ‘disunity’. A scattered mind inevitably manifests as a scattered body in the physical realm, whereas a unified mind which is all embracive of the physical body (and environment) inevitably provides the foundation for a fully united Taijiquan form. The ‘awareness’ must be ‘united’ by focusing the mind and disciplining its functionality. Once the psychological processes are ‘united’ - then the physical body (and its actions) will be permeated by this ‘unified’ awareness. C) ‘Discontinuous’ awareness (断 - Duan), between the upper and lower body, means that there is no connection between the mind, body and environment. In other words, no ‘rootedness’ as the practitioners ‘awareness’ capacity is both incomplete and discontinuous. The upper and lowe body cannot interact in a fluid and smooth fashion. Q energy flow is ‘broken’ at crucial points (effecting ‘jing’ [精] and ‘shen’ [神] circulation, generation and transformation). As the top half of the body is ‘disconnected’ from the bottom half of the body – there is no transference of ‘awareness’, ‘energy’ or ‘ability’ through the pelvic-girdle. Beginners must observe and understand flowing water, reeling silk and clouds floating across the sky and how nature achieves these feats of action with no apparent effort at all. Human-awareness must extend fully in the ten-directions and not stop short at nine-directions! The practitioner must master the connection between ‘awareness’ and ‘movement’ - when such an awareness is ‘lacking’, then there is a ‘discontinuous’ awareness, or ‘break’ between areas of psychological and physical control. This problem can be resolved through practicing ‘deep’ relaxation of mind and body, as well as focusing the mind to ‘lead’ and ‘guide’ (引 - Yin) the awareness evenly through the physical structures of the body, so that ‘awareness’ always precedes and initiates all movement so that there is never a ‘break’ between ‘intention’ and ‘actuality’. D) ‘Learning to lead’ (引 - Yin), or direct a strengthened, concentrated and united mind so that its ‘intention’ continuously precedes all movement both ‘within’ and ‘without’ the physical body. In this regard, conscious awareness must automatically permeate the ten directions and everything within those ten directions – including the individual mind and body. This is a continuous pulsation that exists during sleep and awake times and which is fundamental and underlying in nature. Guiding the awareness, however, ss subtly different as it is a ‘refined’ awareness operating within this meta-awareness. Whereas the meta-awareness permeates the cellular structure of the mind and body – this ‘leading’ awareness penetrates the cellular wall and permeates into the subatomic structures. It has within it a compelling and attracting force which can also be ‘reversed’ into a repelling force (like releasing the built-up energy in a drawn-bow). At other times, it directs awareness and ‘pulls’ the physical body into the various directions of movement required. It is nothing short than the evolutionary mind-body nexus. ‘Thought’ within this context, although appearing ‘spiritual’ and ‘other-worldly’ is in fact a very subtle form of substrative material reality. E) ‘Non-alignment’ (歪 - Wai), refers to a disjointed and misplaced Taijiquan ‘frame’ (positioning) and ‘sequencing’ (form) so that the entire manifestation departs from the ‘law’ of the style, the philosophy of the tradition and the instruction of the teacher. Another description is that of a ‘crooked’ mind and body which mislead the practitioner and the world of taking the wrong direction. The body leans when it should be straight, or is straight when it should be leaning! The body remains ‘unrooted’ when it should be firmly affixed to the ground. The mind has no unified presence and is unable to penetrate and guide the the physical structures of the body. As there is no penetrative insight, the movements are ridiculous and disconnected. There is no awe-inspiring presence and no real Taijiquan practice taking place! F) ‘Non-rootedness’ (浮 - Fu) can also be translated as ‘floating’ and refers to the non-dropping of the ‘qi’ (and ‘bodyweight’) down into the dantian (丹田) situated two-inches below the naval and through the centre of the bones (stimulating the bone-marrow) in the case of the bodyweight proper. Pockets of psychological and physical tension can prevent the qi-energy flowing properly through the eight special channels (and the numerous other major and minor qi-energy flow channels), as well as the bodyweight ‘dropping’ effectively through the centre of the bones down into the floor through the soles of the feet, etc. Eventually, the dropping of the bodyweight results in a ‘rebounding’ force which bounces the qi-energy back up the body through the centre of the bone marrow – a gravity related processes which eventually integrates with the qi-energy flow through the qi-energy channels. If an underlying psychological awareness of the deep structures of the body is not present, then neither qi-energy flow nor bodyweight movement will be understood or even known to exist! Instead, the external body will be separated into essentially top-heavy and insular compartments of disjointed and non-rooted entities! All is disconnected from the ground and from the awareness of the mind. Drop the awareness into the ground to rescue the mind and body from this hellish existence! This is why the ‘fist frame’ is the mother of the Taijiquan system of advanced Chinese martial arts (as it conveys the ‘secret’ of how to ‘punch’ with extreme power! Each individual part of the body must be thoroughly penetrated and minutely understood with a fully develop and directed conscious mind – before each part of te body is ‘integrated’ (through accumulated ‘insight) into a ‘unified’ whole. Although a ‘form’ of Taijiquan made well hold continuous physical characteristics that continuously broadcast a well-known' style – it is the mastery of the ever-change ‘frame’ of the Taijiquan form that is vital for martial arts dominance and success in the physical world. Of course, the ‘form’ and ‘frame’ obviously over-lap and coincide but they are not identical. Whereas a ‘style’ of Taijiquan may well utilise a continuous ‘form’ or philosophical-physical approach – whilst a continuously changing, altering and adjusting ‘frame’ may be manifested by an expert practitioner. Whilst being firmly ‘rooted’ to the nourishing ground, an expert practitioner of Taijiquan is continuously manifesting the ‘root’ principles of the style, whilst also adjusting that particular ‘form’ (physical superstructure) to the conditions prevailing in the external world. A ‘fist frame’ facilitates ‘punching’ (or ‘open and closed hand techniques’ in general), whilst a ‘kicking frame’ opens the hip-area allowing for an array of ‘lifting’ or ‘floating’ leg techniques which uses the foot, knee or side of the leg-structure to ‘strike’ or ‘block’ whist standing still, or moving forward, back or side to side (although some of this activity might fall under the designation of a ‘stepping frame’ adjustment). An advanced ‘iron-vest’ frame allows for the bone structure to be utilised in a manner that deflects, absorbs or re-directs incoming energy, etc. There is even the case that suggests that the ‘frame’ of a Taijiquan style should be further adjusted as the age of the practitioner increases to counter the effects of ageing. With regards to self-defence, the body-shape, experience and motivation of an opponent will call upon the defending Taijiquan to adjust the type of ‘frame’ they manifest during hostilities. A Taijiquan ‘form’ that does not adjust its ‘frame’ (or the distance between the feet and between the hands), is then ‘stuck’ in manifesting just one particular ‘frame’. This is a common mistake today developed from a lack of properly qualified teachers. When Taijiquan was ‘liberated’ from the limitations of feudalism in 1949 – there was not readily available a suitable cadre of instructors to carry-out this advanced ‘liberating’ policy. To remedy this, it was decided that initially it was enough for the ‘copying’ of the superficial movements (I.e., ‘form’) to take place throughout China, and that over-time, as this new approach of ‘openness’ settled in (with a limited single ‘frame’), the number of qualified teachers would increase. Today, this transitional stage Is still in operation, with practitioners seeking an ever-greater depth of understanding, although association with legitimate lineage masters that are coming to light. This is a slow but inevitable process. Taijiquan – the most advanced martial art ever constructed by the human mind – has been ‘freed’ from the few exclusive lineages that once controlled its dissemination. Although lineages till exist and their practice is disciplined, the knowledge they possess in now viewed as belonging to humanity. Chinese Language Reference:
https://www.sohu.com/a/114000920_467831 拳架为学练太极拳之母!练拳易犯的几点坏毛病,快来看看自己有没有? 2016-09-09 11:29 点击上方↑"功夫太极"快速免费订阅太极养生资讯 "拳架"为学练太极拳之母[摘编] 初学太极拳应从学习“拳架”开始。即是学练老师的拳架。一招一式,逐一模仿。这一过程,称之为“领架”。拳架虽为外形,但却有极为丰富的内容。它不但含有很多技击招式,还与内功练习紧密相连。拳架是太极拳的基础,也是练习太极功夫的向导。没有拳架就无法练习太极拳。架子正确与否关系到太极拳的功夫能否练成。 学练拳架,先求形象,须循规蹈矩,一丝不苟,逐一模仿。先学基本的身法、手法、步法,动作路线,各定式的样子及要领。架子应先求开展,后求紧凑。要求全身节节放松。如某一定式,先查是否“虚领顶劲,立身中正”,是否“含胸拔背,胸空腹实”,是否“松腰落胯,圆裆扣膝收臀”;再查步法是否正确;再检查肩肘腕是否放松,是否“沉肩坠肘、塌腕舒指”;最后再检查掌形、拳形,钩手等是否正确。在“形象”的基础上再求“神象”。不但要求形象,还要求神象。如不得太极拳之神形,则练一辈子也是茫然,不成大器。若想精其技,趋大成者,非得老师拳架之神形不可。然而,由于太极拳的特点,初学者往往难以适应,易出现一些毛病,最常见的主要有:僵、散、断、歪、浮等毛病。 1 僵 就是僵硬、松不下来。练习太极拳,松为第一要义。而没有经过太极拳练习的人,身上都有僵劲。年龄越大,身体越是强壮,僵劲越大。而太极拳的动作是圆的运动,要求柔和缠绵,节节贯串,全身协调,主宰于腰。这就给练习太极拳带来很大的困难。因此,一开始,就要强调放松,练习者要有意识地使自己的身体放松。用意不用力,意松体松,内外皆松。 2 散 即神散,形散。练习太极拳要求全神贯注,心无旁骛,如果练拳时心不在焉,杂念丛生,就无法做好动作。形散一般是指动作幅度过大,没有含蓄,或者动作不协调,散了架子。练习太极拳手臂和腿要自然弯曲,不可直手直脚,要注意处处保持太极球的形态。同时注意全身的协调性,所有的动作主宰于腰,以身领手,周身一家。 3 断 指意断,劲断。动作不连续,上下动作之间断开,缺乏圆滑的过渡。太极拳要求柔和缠绵,练拳时,上动未停,下动又起,如行云流水,抽丝挂线,一气呵成,动作做到九分,意要贯到十分。而初学者往往不能很好掌握动作与动作之间的衔接问题,因此,就出现了“断”的问题。要克服这个毛病,一要注意放松,二要加强“引”的练习。即掌握“引”的规律,一般来说,引的规律是欲上先下,欲左先右,欲前先后。就是向相反的方向运动。 4 引 “引”在太极拳中有非常重要的作用,它是太极拳的精华和绝妙之处。它不但起着承上启下的作用,还关系到太极拳阴阳转换,虚实开合的变化。没有引,太极拳的动作就无法圆滑过渡;没有引,就无法实现折叠转换;没有引,劲就无法绵绵不绝。 然而,在现实生活中,许多太极拳练习者,往往忽视“引”的练习和应用。他们往往注意动作的外形是否到位,样子好不好看,而忽视了太极拳的精华。练好引的关键是用内动带动外动,心静体松,精神内固,丹田旋转,引领全身,以根节催动梢节,动作似停非停,将展未展之际,心意一动,“引”则油然而生。上动未停,下动又起,流连缱绻,无始无终。应该特别指出,引是自然而然的,是松沉的表现,不是故意做出来的。不可为了做引的动作,故意把拳打得一顿一顿的。引从外形上看,以不露痕迹为上品。 引在推手中有着极其重要的作用。两人接手后,轻轻一引,即可化解来力。能引,则能做到劲由内换。由于引的圈子很小,则可做到在不动身形的情况下化发自如,即引即发,原地风光。 因此,打太极拳需注意引的练习。只有把引练好了,才能打出太极味,才能使整套拳如抽丝挂线,绵绵不断;似长江大河,滔滔不绝。引是太极拳的细微之处,乃太极拳绣花之法,须默识揣摩,细心体悟,才能真正学到。 5 歪 指身法不正。前俯后仰,左右歪斜。练习太极拳身法以端正为本。身法端正,无所偏倚,虚灵内含,浩然之气,运于全身。初学者往往由于动作僵硬,易使身体不正。身法中正是练好太极拳的基础,千万马虎不得。 6 浮 即漂浮。太极拳要求含胸拔背,胸空腹实,气沉丹田,落地生根。而初学者往往架子忽高忽低,挺胸突臀,动作漂浮,气向上涌,头重脚轻。浮乃练习太极拳之大忌,须注意克服。 要克服上述毛病,关键要抓住“松、静、沉”三个字。无论练习何种太极拳,都要在这三个字上下功夫。因此,“松、静、沉”为练习太极拳的三字经,要把它刻在脑海中,落实在行动上。在学习老师拳架的过程中,要细心模仿,悉心领悟动作要领,发现问题及时纠正。太极拳架中包含有极丰富的内容,要掌握这些内容,需要长期反复练习才能做到。 因此说,拳架为母。练习太极拳一定要在拳架上下功夫。每天反复盘拳架,如有可能,尽量多练。同时,要不断领悟内在的东西,练悟结合,“拳打千遍,其理自现”。练习拳架有一个“从外引内,以内带外”的过程。开始时,只能外形划大圈,而后逐步产生内动,每个动作先有内动,再有外动,环环相扣,无始无终,动作沉稳,柔棉,一动无有不动,一静无有不静,内外合一,周身一家。只有这样,才能逐步提高自己的太极拳水平。 孔子曰:“人而无信,不知其可也” 意思就是说:一个练武之人要是连《功夫太极》微信都没关注,简直都不知道他是怎么练拳的.. Foundational Taijiquan is practiced by those with health or mobility issues. This is a gentle set of physical movements designed to get a person moving around in a dextrous manner. Taijiquan can be very useful for those who are not fit and need some type of co-ordinated physical movement combined with deep and full breathing. With repetition this training process can build strength in the legs, improve balance and dexterity, and enhance the circulation of oxygen throughout the body by relaxing any and all unnecessary muscular tension. Through aligning the bones (and dropping the bodyweight into the ground), the bones, joints, ligaments and tendons are made more ‘robust’ through correct weight-bearing! Many people spend years working on this practice and quite often gain a considerable suppleness through this relaxation and the sharpening of ‘awareness’ in the mind! For many practitioners in the West, Taijiquan is encountered only later in life, and quite often is not the common spectacle it is in China and throughout many diasporic Chinese communities. The popularity of basic Taijiquan (even in China) relies on quick courses which involve a ‘coach’ who has learned a Short Taijiquan Form over a six-week time period and is then tasked with conveying these movements to two or three classes of students a few times a week! This approach certainly gets the basic techniques ‘out there’ and gives dedicated individuals a training platform which they can build upon at a later date. This can involve longer and more complex Taijiquan Forms (of which there are many Styles), and can even include competitions, seminars and demonstrations, etc. However, even if this type of practice results in winning a World Title for ‘moving about effectively’ - this is still not the complete Taijiquan practice. If you want to master the proper and in-depth practice of Taijiquan, you will have to find a genuine gongfu Master who is knowledgeable in Daoist self-cultivation technique and knows how to ‘fight’ in real life without compromising the sublime spiritual vision that underlies the Chinese martial arts. Following decades training with Master Chan Tin Sang (1924-1993) - I now occasionally have the honour of meeting the odd male or female Taijiquan Master through ‘invitation’ so that my physical and spiritual understanding of Taijiquan can be ‘tested’ and ‘confirmed’. Such encouragement ‘dissolves’ difficult to see ‘habitual blocks’ in the mind and body and moves onward or deeper into penetrating the empty essence of the Dao – as all movement is equally ‘empty’ and ‘still’ - this is why an immense power emanates through the channels that connect the ‘broad earth’ to the ‘divine sky’. This is why every perfect technique is both immensely ‘powerful’ and equally ‘empty’ from beginning to end – and within this freedom is vibrating a positive light that is a combination of wisdom, loving kindness and compassion for the entirety of existence! Advanced Taijiquan is a product of a perfected state of mind and body that expresses the perfect Taijiquan technique – but which is no longer ‘limited’ to the practice of the physical Taijiquan Form - which naturally manifests every moment of everyday, whether formally training, lying in bed, going to the toilet, meditating, making love or carrying-out your work! As many of you reading this either have a low opinion of Taijiquan or believe Taijiquan cannot be used for combat (viewpoints that are a product of a lack of direct cultural knowledge), the manner in which Taijiquan technique is used on a kick-bag is simple and straightforward. Advanced Taijiquan expresses the entire ‘bodyweight’ through any part of the body without any undue effort. Just as the bodyweight ‘drops’ into the ground through the aligned bone-structure – a re-bounding force naturally rises up continuously and without a break in the circuit. This remains true just as long as a practitioner is stood within a strong gravitational field. I start a suitable distance from the kick-bag and carry-out a mini-form set of co-ordinated movements that brings my body nearer the kick-bag and sets-up the power-technique! Today, I started with the left leg forward and threw on the spot a left-lead punch, right-reverse punch and left-lead punch. Weight shifted back onto the reverse right-leg (with bent left-leg forward in ‘cat stance’) and I throw a front-snap kick – landing forward on my properly placed left-foot and bringing the weight onto the left-leg. The power-shot is the reverse right roundhouse-kick – which swings through the air and impacts the bag with considerable and unhindered power! The process is repeated on the other side of the body and I repeat this for three-minutes. Any combination of techniques can be used that test the ‘smoothness’ of Taijiquan technique on the one-side – and the unbroken (and considerable) power on the other. Obviously, being ‘rooted’ is important as is continuously changing sides so that left and right are properly trained and tested (as true combat is unpredictable unlike fighting with rules during sporting encounters). The mind should be calm, still, aware and all-embracing so that it is ‘reflective’ of all phenomena (like a mirror). The Buddhist Surangama Sutra explains this principle, as do various Daoist texts such as the Laozi and Zhuangzi, etc, and the ‘Book of Changes’ (Yijing). Not everyone is trained to this depth of Taijiquan attainment, and not everyone wants to be trained to this degree – but it is an option with the proper training and instruction.
The point is to bring an end to all greed, hatred and delusion in the mind, body and environment. Although this a distinctly ‘Buddhist’ solution to the ills of life – generally speaking, it is also the solution of most ‘secular’ models of reality! An individual can choose their path and express their development in any way they wish or see fit – but in the end a definite ‘purification’ process is experienced which changes the inner and outer being forever! Inner peace is expressed through a deadly martial technique that is NEVER personal but always ‘indifferent’ and in a state of continuous ‘healing’ of humanity, the world and everything in it! Although wild animals can be extremely dangerous in their natural habitats – nevertheless it is important not to produce thoughts of ‘anger’ or ‘violence’ when taking suitable action to ‘avoid’ the danger. This is using wisdom. Sometimes, even wild animals can be seen responding to ‘kindness’ in a manner that is considered very unusual! Even domestic pets can be difficult – but this is all the more reason to maintain a sense of inner and outer peace. Human-beings, by way of contrast, are often far more dangerous with their habitual anger and potential violent outbursts! Traditional gongfu training prepares human-beings for the maelstrom of combat in the outer world – whilst maintaining a calm inner terrain that remains ‘unruffled’ regardless of circumstance. Life can be hard, but it can also be beautiful, truthful and full of justice! The point is to always be ready to build upon the foundation of ‘peace’ and make the world a better place for everyone to live! The physical techniques of the martial arts exist to empower an individual to protect their bodies, their community and their nation. The inner path is universal and transcends these narrow categories of potential violence! If combat happens, then the qualified Shifu must fight to prevail and never lose any encounters! However, this ‘victory’ should never be allowed to happen through ‘anger’ as this is ‘low’, ‘corrupt’ and ‘despicable’! As a situation can change in an instant, a martial artist must always be prepared to ‘adjust themselves to circumstance’ and never let a prejudiced view of reality take over the ‘flow’ of combat and conflict resolution. On the other hand, when combat must be successfully engaged within, then the sheer ‘weight’ of the cultivated ‘inner peace’ must quite literally ‘crush’ the violence that exists in the mind and body of the opponent! Peace must prevail over all.
Moving Beyond the ‘Superficial’ and Revealing the ‘True’ Essence of Ancient Chinese Martial Arts12/6/2020 Original Chinese Language Article By: Qu Lishi (趣历史) (Translated by Adrian Chan-Wyles PhD) Now, when many of my friends are watching classic heroic novels made into films - such as the "Water Margin" and "Sui and Tang Dynasty" - or classic works of modern martial arts masters (such as Jin Yong [金庸} and Gu Long [古龙]), they are being subjected to a number of powerful martial arts hero-images. This includes invincible (and fierce) generals, as well as knights effortlessly galloping over the land (and across rivers and lakes without getting wet), whilst climbing (or flying) over high walls and defeating the enemy on the other side - despite being out-numbered by as much as ten to one! The question is this – are traditional Chinese martial arts effective in battle – or are they an outdated mode of ‘attempted’ self-defence? External Gongfu With this question in mind, this author accessed a great deal of information upon this subject and finally worked-out the difference between ‘ancient’ Chinese martial arts and the modern ‘dance’ that passes as martial arts practice in many gymnastic halls throughout China today. Ancient Chinese martial arts are divided into two distinct (but related in essence) branches (or ‘Families’) – namely the ‘external’ (外 - Wai) and the ‘internal’ (内 - Nei). Those who have achieved great success in ‘external’ gongfu, can prevail against any opponent (in any situation) using only ‘empty-hands’ and expertly applying a refined brute force through deceptive movements of great and dynamic speed - with such an outstanding Master of this method being ‘Bruce Lee’. Internal Gongfu The mastery of internal gongfu is much more complicated, complex (and subtle) - and its perfection is not easy – even for those who gain access to genuine teachers. Internal gongfu has three sections that must be fully understood and mastered: 1) Bright (Pure) ‘Shooting-Force’ (Emitting-Power) = Ming Jin (明劲) - ‘Ming Jin’ looks very strong and even ‘tough’. This ‘external’ power stem from a permanently aligned posture and bodyweight dropping into the floor – and ‘rebounding’ back up through the centre of the bones – to be ‘emitted’ through whatever technique is being applied. However, at the highest level of mastery (and in a split second) - It can be transitioned into ‘An Jin’. 2) Dark (Secret) ‘Shooting-Force’ (Emitting-Power) = An Jin (暗劲) - ‘An Jin’ only manifests when proficiency is already advanced. An Jin is comprised of the mastery (and swift interaction) of both ‘hard’ (刚 - Gang) and ‘soft’ (柔 - Rou) power. The enhanced mind (and ‘awareness’) replaces all physical effort. This skill remains ‘hidden’ and is difficult to comprehend in combat and learn in practice. When the mind (and body) of the practitioner is suitably ‘matured’, then the ability to transition to ‘Hua Jin’ will naturally manifest. 3) Transformative (Changing) ‘Shooting-Force' (Emitting-Power) = Hua Jin (化劲) - ‘Hua Jin’ is the perfect ‘synthesis’ of ‘Ming Jin’ and ‘An Jin’ so that no difference can be discerned by the opponent – who cannot perceive what is happening – and cannot suitably ‘adapt’ to what is happening in his or her immediate environment. There is no discernible difference between the mind and body – with the body and environment appearing to manifest within an expanded consciousness that free of all greed, hatred and delusion. This level of traditional martial arts mastery requires a long process of accumulated insight and gathered internal energy. When young, a martial artist must be brave and ruthless at the beginning – but radically ‘stills the mind’ and ‘relaxes the body’ as a means to gain access to the ‘invisible’ and ‘intangible’. One of the most famous martial artists in ancient times is known as ‘Hua Tuo’ (华佗), who was originally a famous doctor living during the Eastern Han Dynasty, but the ‘Wu Qin Xi’ (五禽戏) or ‘Five Birds Playing’ System he created is considered to be the earliest known martial arts routine in China. This is why some people call Hua Tuo the founder of Chinese martial arts. Cases can also be made for Zhang Sanfeng (张三丰), the founder of the Wudang (武当) Sect – which is a superb school of internal martial arts. Then there is Chen Yuting (陈玉廷), from Chenjiagou - Wen County, Henan Province – who is the founder of Chen Style Taijiquan. Dong Haichuan (董海川) is the founder of Baguazhang (八卦掌) or ‘Eight Trigram Palm’ - who was considered an amazing man. He was a martial arts teacher for Emperor Guangxu (光绪) and also served as a guard for Empress Dowager Cixi (慈禧). After him, there are more famous martial artists such as Huo Yuanjia (霍元甲), Du Xinwu (杜心武) and Huang Feihong (黄飞鸿), etc., all excellent martial arts masters. Tradition Chinese Martial Arts are ‘Too Dangerous’
Generally speaking, ancient Chinese martial arts are both internal and external, and there are routines, such as unarmed punching and kicking forms, as well as weaponry forms involving sword, spear and weighted-chain, etc. Most of these styles focus on developing the ‘awareness’ capacity of the mind, which is essential for all physical martial arts mastery. Only those people born in the modern-age who possess a certain type of character are qualified to be accepted for this type of genuine Chinese martial arts training. However, the current martial arts cater for everyone and their stricture and scope of development is too rigid and limited. Such martial arts only require a basic external performance, but the internal spirit being completely non-existent. Therefore, practicing for several decades can only lead to the acquisition of a very a basic skill that diminishes with age. The main difference is that the ancient martial arts technique evolved for ‘killing’ enemies and prevailing during ‘self-defence’, whilst modern martial arts belong only to the category of sports – and therefore only reflect the limited requirements of success needed in that environment. Humanity’s martial arts practice began in warfare and represent a summary of the experience of being exposed to brutal and bloody fighting on the battlefield. This old body of knowledge has into the modern world and has been integrated as a martial art practiced within the category of sports. Under the constraints of rules and referees, it strives to be fair and avoid injury, defeats opponents with strength and wisdom - declaring a winner and a loser. As for why this is done, it is because when modern martial arts were practiced in New China – fights often ended with opponents being ‘killed’ in competition. The government took control of the situation and stopped this type of gongfu-fighting in public. Instead, martial arts training was limited to the exercises concerned with the performing and perfection of artistic-looking routines. It was not until the reform and opening up that the ‘traditional’ Chinese martial arts practice returned for public scrutiny yet again. The more aggressive sport of Sanda (散打) or ‘Free Fighting’ was developed as a sport, and finally determined that blows to the groin, neck, and back of the head were forbidden. This led to a system of punching, kicking and throwing that although ‘aggressive’ lacked much of the martial sophistication that defines traditional Chinese martial arts practice and fighting. Comment: Ancient Chinese martial arts are historically designed for real fighting, and I can only say that the so-called ‘Martial Arts Masters who are constantly promoting their own style – who are always ‘challenging’ others - are nothing but a group of ‘loud mouthed-kings'. Their actual combat capability is almost zero. Why do I say this? This is because these so-called martial artists have not developed their inner or outer strength and do not possess the unique speed (or skills) associated with traditional Chinese martial arts practice. They value theory and pretty routines, but lack actual combat experience. In the old days, the Master earned their abilities the hard way – through prevailing in actual martial arts conflicts. Of course, this author always believes that there are peerless gongfu Masters in the world. However, those who have achieved this kind of martial arts mastery often live very low-key lives. They quietly practice and perfect the genuine traditional Chinese martial arts, and pursue a simple life of self-sufficiency and isolation. Such authentic Master keep away from publicity and are difficult to track-down! Indeed, they hide in plain sight amongst the people! Chinese Language Reference: https://history.sohu.com/a/156558022_612628 中国武术真的是花架子吗?看看古代的武术家境界有多高 2017-07-12 16:55 现在很多朋友在看《水浒传》、《隋唐演义》等古典英雄演义小说,或者金庸、古龙等现代武侠大师的经典作品时,里面塑造了一批家喻户晓、武功高强的英雄形象,有纵横沙场、马上无敌的猛将,也有驰骋江湖、闪展腾挪的侠客,一个个飞檐走壁以一敌十,可是,每每看到兴奋之处的时候,很多人不禁在想,古代武功真有那么神奇么?古代的武术家真有那么厉害?为什么现代的所谓武术家们为何就做不到呢? 带着这个疑问,小编查找了好多资料,终于弄清了古代武术与现代舞术的区别所在。古武术,分为外家功夫和内家功夫。外家功夫练到大成者,能空手入白刃,代表人物李小龙。 而内家功夫则要复杂的多,分为明劲、暗劲、化劲。明劲时候是看起来十分刚猛,练到一定境界会自然过渡到暗劲,暗劲是刚柔并济。暗劲练到一定成都会自然过渡到化劲。而习武之人的境界,从一开始好勇斗狠到心态变平和再到无形无相无招胜有招,是需要一个漫长的积累过程的。 古代比较有名的武术家有:华佗,本是东汉名医,但他创编的五禽戏被称作是中国最早的武术套路,因此也有人把华佗称为中国武术的创始人。张三丰,武当派的开山祖师,一身内家功夫出神入化,十分了得。陈玉廷,河南温县陈家沟人,陈式太极拳创始人。董海川,八卦掌创始人,这个人很了不得,他曾为光绪皇帝武术教师,并且还担任过慈禧太后的护卫。而在他之后比较有名还有霍元甲、杜心武、黄飞鸿等等,无不是一代宗师级的武术家。 总体来说,古武在于内外兼修,套路是有的,例如拳谱,剑谱等,不过大都只重其中的心法,就是要领,掌握要领后一通百通,只有先修内,有了一定心性,才能明白要领。而现在的武术太过僵硬化了,只求外在表现,内在的精神却没了,所以,练个几十年也只能是基本功而不能有所成。 还有就是古武术是杀敌自卫的技术,而现代武术属于体育范畴。 人类的武术始于战争,是战场上血腥厮杀的总结,进入现代文明,将武术列入体育范畴,在规则和裁判的制约下,力求公平和避免伤害,以力量和知慧战胜对手,决以输赢。至于为什么这么做,那是因为现代武术在新中国成立时,因为武者比试时失手打死过人,所以国家一度停止武术发展,只保留艺术性的套路的演练,直到改革开放后,中国武术界才按体育的规则开始散打比赛试验,最终确定,裆、颈、后脑禁打。两人按照一定的规则,运用武术中的踢、打、摔等攻防技法制胜对方。但是,不得不说,中华武术也是由此而没落了。 点评:古代武术才是真正格斗,而看到现在动不动在哪个频道里推广的武术大师 我只能说都是一堆嘴强王者。实战能力几乎为零。为什么这么说呢?这是因为这些所谓的武术家的力量 速度都没练出来 他们重视理论和套路,缺乏实战与灵活, 纵观中国历史武术名家 那个不是大量实战的基础上在结合拳理 内外兼修而成为一代武术宗师的?哪像现代这帮武术家 ,太过功利化了,一个个都是绣花枕头,中看不中用也。 当然,小编始终相信,现在的世间也是有绝世高手的,但是,但凡这种武道有所成就者,往往都很低调,一心钻研武道,把功名利禄看的非常淡,大隐隐与世,所以就像那句老话说的,其实真正的高手其实在民间啊。 |
AuthorShifu Adrian Chan-Wyles (b. 1967) - Lineage (Generational) Inheritor of the Ch'an Dao Hakka Gongfu System. |